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Day

A Novel

ebook
1 of 2 copies available
1 of 2 copies available
NATIONAL BESTELLER • An “exquisite” (The Boston Globe) exploration of love and loss, the struggles and limitations of family life—and how we all must learn to live together and apart—from the Pulitzer Prize–winning author of The Hours

“The only problem with Michael Cunningham’s prose is that it ruins you for mere mortals’ work. He is the most elegant writer in America.”—The Washington Post
NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • A BEST BOOK OF THE YEAR: NPR, Harper’s Bazaar, Chicago Public Library, Lit Hub, Paste, Kirkus Reviews

April 5, 2019: In a cozy brownstone in Brooklyn, the veneer of domestic bliss is beginning to crack. Dan and Isabel, husband and wife, are slowly drifting apart—and both, it seems, are a little bit in love with Isabel’s younger brother, Robbie. Robbie, wayward soul of the family, who still lives in the attic loft; Robbie, who, trying to get over his most recent boyfriend, is living vicariously through a glamorous avatar online; Robbie, who now has to move out of the house—and whose departure threatens to break the family apart. And then there is Nathan, age ten, taking his first uncertain steps toward independence, while his sister, Violet, five, does her best not to notice the growing rift between her parents.
April 5, 2020: As the world goes into lockdown, the cozy brownstone is starting to feel more like a prison. Violet is terrified of leaving the windows open, obsessed with keeping her family safe. Isabel and Dan communicate mostly in veiled sleights and frustrated sighs. And dear Robbie is stranded in Iceland, alone in a mountain cabin with nothing but his thoughts—and his secret Instagram life—for company.
April 5, 2021: Emerging from the worst of the crisis, the family reckons with a new, very different reality—and with what they’ve learned, what they’ve lost, and how they might go on.
“[Cunningham] is one of love’s greatest witnesses.”—Los Angeles Times
“An absolutely stunning portrait of humanity . . . a masterpiece.”—Literary Hub
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    • Library Journal

      August 1, 2023

      In 2019, Dan and Isabel's marriage is cracking under the weight of their obsession with Isabel's free-spirited younger brother, Robbie, himself stumbling because his latest boyfriend has decamped. By 2020, COVID has descended, the couple's Brooklyn brownstone is shuttered tight, and even as their children rebel, Robbie is stranded in Iceland. By 2021, as they emerge from lockdown, the entire family must reassess. From the Pulitzer Prize-winning Cunningham. Prepub Alert.

      Copyright 2023 Library Journal

      Copyright 2023 Library Journal, LLC Used with permission.

    • Kirkus

      August 15, 2023
      The Pulitzer Prize-winning Cunningham follows a Brooklyn family over the span of three years. Cunningham focuses his first novel since The Snow Queen (2014) on two siblings--Isabel, a flinty photo editor, wife, and mother of two; and Robbie, her softhearted younger brother, who lives in the attic of her brownstone--and the rest of their somewhat loosely defined family, glimpsing them in snapshots of time over three years: "April 5, 2019: Morning," "April 5, 2020: Afternoon," and "April 5, 2021: Evening." During the course of those days, which comprise the three sections of the book and are punctuated by the pandemic, Isabel's marriage to aging musician Dan deteriorates; her two children, precocious elementary-schooler Violet and angsty preteen Nathan, struggle and grow; and Dan's brother, bad-boy artist Garth, contends with his deepening feelings for his friend Chess and the child they share, Odin. But it is Robbie--the sweet emotional center of the family, whom everyone adores; who is trading an unfulfilling role as a schoolteacher for a life of exotic travel and, eventually, he hopes, medical school; and who has amassed a significant Instagram following under the guise of an alter-ego, Wolfe--whose life changes most dramatically. Writing with empathy, insight, keen observation, and elegant subtlety, Cunningham reveals something not only about the characters whose lives he limns in these pages, but also about the crises and traumas, awakenings and opportunities for growth the world writ large experienced during a particularly challenging era--and about the way people found a way to connect with one another and themselves as individuals in a time heightened by love and loss. This subtle, sensitively written family story proves poignant and quietly powerful.

      COPYRIGHT(2023) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Publisher's Weekly

      September 11, 2023
      Pulitzer winner Cunningham (The Hours) meditates on love and loss in this intimate portrait of a New York City family impacted by Covid-19. The story begins in April 2019, with Isabel Walker, a magazine photo editor, falling out of love with her partner Dan Byrne, a former rock musician turned “househusband.” A year later, Isabel and Dan’s 10-year-old daughter, Violet, already affected by her parents’ acrimony, is intensely anxious over the virus. Isabel’s beloved brother, Robbie, provides a stabilizing influence from afar via Instagram, where he posts as Wolfe, the “adult incarnation” of the imaginary older brother he and Isabel made up as children. Although Cunningham evokes the pandemic only indirectly, such as with references to Violet’s remote learning, its impact on everyone is palpably conveyed, especially in a poignant, grief-filled final section set in April 2021. Cunningham’s characters drive the story’s slender plot, and all of them are magnificently developed, with even the basest episodes, like Dan succumbing to the temptation of a hit of cocaine, revealing depths of thought and feeling. What could have been a somber mood piece tinged with tragedy is buoyed by the author’s focus on “the promise that resides under the forlorn surfaces.” This stands out from the growing shelf of pandemic novels by managing to feel timeless. Agent: Frances Coady, Aragi.

    • Booklist

      September 15, 2023
      Ordinarily, spring brings a measure of hope. But by focusing on one spring day, April 5, in each of the years 2019, 2020, and 2021, Cunningham (A Wild Swan and Other Tales, 2015) sets the stage for painful irony as his characters are wrung dry as they make it through one of the defining experiences of our lives, the COVID-19 pandemic. In this stunning novel, the pandemic is never mentioned by name, yet its shattering fallout deeply molds everyone's lives. Even in 2019, Isabel and Dan's marriage is on the rocks. As mother to sensitive Violet and her older brother, Nathan, Isabel already bears the brunt of the family's emotional labor, a situation that worsens during quarantine. Like many city dwellers, she finds alone time on the fire escape. Robbie, Isabel's gay brother, is recovering from his own fractured relationship and dissatisfaction with his career choices in 2019, then finds himself in remote Iceland a year later. Meanwhile Dan's brother, Garth, is wrestling with new feelings about fatherhood. The pandemic steamrollered over our lives and left us to pick up the pieces, but it also shed clarity on our values. Cunningham brilliantly and skillfully demonstrates how such contradictions are possible.

      COPYRIGHT(2023) Booklist, ALL RIGHTS RESERVED.

    • Library Journal

      November 17, 2023

      Pulitzer Prize winner Cunningham's (The Snow Queen) first novel in nearly a decade is concise, emotionally potent, and deeply human. Without reducing it to a COVID-19 novel, it represents the latest effort by a major author to fracture a narrative through the pandemic prism, occluded only barely by Cunningham's resistance to naming it outright. The snapshot narrative is constructed of three different days, April 5 of 2019, 2020, and 2021, and follows one family's navigation of change and tragedy. Cunningham situates the character of Robbie as a locus for all others and cleverly lends his narrative a splintered feeling in parts two and three after a primary mid-novel incident. The downside to this structure is that the novel's back half can feel less substantially developed, both emotionally and narratively, than its excellent opening act. However, at its best, it is a work keenly aware of humanity's essential ephemerality, the ways in which we prove capable of haunting the lives of those around us while still alive, and how easily we can slip away from each other. VERDICT Unevenly paced and structured, but Cunningham's quietly powerful observations help mitigate its imperfections.--Luke Gorham

      Copyright 2023 Library Journal, LLC Used with permission.

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