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1 of 1 copy available
1 of 1 copy available
Eve Duncan became a forensic sculptor after the disappearance of her daughter Bonnie, whose remains were discovered ... yet unrecognizable. Driven by a need to liberate innocence from the shroud of death, she obsesses over recreating the likenesses of faceless, decomposed murder victims, using only their bare skulls as a guide. Fleeing to Baton Rouge to take on the project of identifying a skeleton, Eve is forced to work in secrecy, given only the sketchiest of information, and she can't help but wonder if the high-level security that surrounds her is meant to protect her ... or imprison her.
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    • Publisher's Weekly

      February 4, 2002
      Forensic sculptor Eve Duncan is neither the cleverest fictional female detective nor the most original, but the meticulous care she devotes to her profession despite the emotional turmoil in her life makes her highly sympathetic. Here, she is tricked into leaving her adopted daughter, Jane, and cop boyfriend, Joe Quinn, to go to Baton Rouge. An influential senator and a fratricidal psychopath want her to work in a remote bayou to identify a battered skull, which may be all that remains of former senatorial candidate Harold Bentley. Duncan tries to reconstruct the skull's features, but it's hard to focus when someone has just tried to poison you and may be on his way to blow up your family. Duncan and wisecracking Sean Galen, hired by her Atlanta friends to protect her, are soon joined by potbellied reporter Bill Nathan, while in the shadows lurks Jules Hebert, a dangerous man of many disguises. First, Duncan's cook dies, then the cook's son, and then lies and dead bodies begin to pile up as Duncan struggles to finish the reconstruction and forgive Quinn for concealing the truth about her dead daughter, Bonnie. A barely credible anti-environment global conspiracy known only as the Cabal drives villains and good guys alike to violence as the story nears its explosive climax at an ex-president's funeral. Prolific bestselling author Johansen (Final Target) builds suspense by thrusting Duncan simultaneously into the unknown and back into the arms of her family in a romantic thriller whose plot may not stand much probing, but whose humanity keeps the reader rooting for its heroine every step of the way. (Mar. 26)Forecast:Major radio and print advertising and promotion, previewed in every paperback copy of
      Final Target: the only question here is how high Johansen will climb on the lists.

    • AudioFile Magazine
      Fast-paced and suspenseful, this psychological thriller combines obsession, greed, political intrigue, and murder with the human touch of devotion, commitment, and romance. Christine McMurdo-Wallis covers the full range of emotions and events in Johansen's story, which is both credible and believable, although based on a weak environmental conspiracy theory. Eve Duncan, an expert forensic sculptor, is manipulated to reconstruct a skull that may belong to a senator's political adversary. Lies and several dead bodies follow, as Eve struggles to overcome personal issues and a threat to her own life. The tenor and huskiness of McMurdo-Wallis's voice is a perfect match for this exciting story, with just enough swing and dip to portray the Louisiana accents. The listener won't miss a single nuance. F.L.F. (c) AudioFile 2002, Portland, Maine
    • AudioFile Magazine
      As forensic sculptor Eve Duncan settles into domestic bliss, her tragic past returns to haunt her. Seeking escape from these unhappy incidents, she unwittingly places herself and her loved ones in grave danger by accepting a mysterious reconstruction project. Reader Cherry Jones vocalizes the Baton Rouge setting with realistic, yet understandable, Cajun accents. She characterizes Eve and her fellow Georgians with authentic, flat tones. However, she has a challenge with Eve's bodyguard, who is introduced as having a slight British accent, which she meets by giving him an English lilt on select words. J.J.B. (c) AudioFile 2003, Portland, Maine

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  • English

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