June 5, 2006
Set in the very near future, veteran Forsyth's latest isn't quite up to the level of The Day of the Jackal
or his more recent Fist of God
, but it's a cut above most other post-9/11 spy thrillers. The threat of a catastrophic assault on the West, discovered on a senior al-Qaeda member's computer, compels the leaders of the U.S. and the U.K. to attempt a desperate gambit—to substitute a seasoned British operative, Col. Mike Martin, for an Afghan Taliban commander being held prisoner at Guantánamo Bay and then arrange Martin's release into Afghan custody. Martin must maintain his cover under the closest scrutiny, even as the details of the planned outrage are kept beyond his reach. Despite the choice to have Porter Goss as CIA director at the end of 2006 and some nick-of-time Hollywood heroics, Forsyth convincingly conjures up the world of counterterrorism and offers an all-too plausible terrorist plot. 250,000 printing.
July 1, 2006
American and British intelligence services discover that al Qaeda is planning something major and horrific that will likely occur somewhere in the United States. However, since neither country has operatives on the inside, they have no idea what or where. Enter retired British army Col. Mike Martin, who first appeared in Forsyth -s "The Fist of God". Martin -s job is to assume the identity of an imprisoned Taliban member and infiltrate al Qaeda. This is plausible because he is lean, dark-complexioned, of part-Indian descent, and was raised in Iran. Martin becomes the titular Afghan and begins a dangerous and frightening journey toward discovering what appalling act the terrorists are planning and putting a stop to it. Typical of Forsyth -s work (e.g., "The Day of the Jackal" and "Avenger"), this is a tense story of technology vs. evil, the latter in this case a mind-numbing degree of fanaticism. Even though it starts slowly, it builds to an exciting climax that makes the read well worth it. Recommended. [See Prepub Alert, "LJ" 5/15/06.]" -Robert Conroy, Warren, MI"
Copyright 2006 Library Journal, LLC Used with permission.
August 1, 2006
In Forsyth's latest novel, British and American intelligence forces learn of an impending al-Qaeda terrorist strike. However, they don't know exactly when or where the strike will take place. Their solution: to have one of their own officers infiltrate the terrorist group, posing as one of its own. It's an inventive story, and Forsyth spins it eloquently and with enough nail-biting suspense to leave readers' fingertips raw. One of the masters of the political thriller, Forsyth writes with a bare-bones, reportorial style that makes his stories feel as realistic as anything one might read in the daily newspaper. He set the standard for political thrillers with 1971's " Day of the Jackal," and, although he has myriad competitors today, no one else has managed to make the very flatness of the documentarian's style an effective instrument for generating tension. Forsyth's name doesn't draw a crowd the way it used to, but this one deserves the attention of those who read such modern espionage masters as Daniel Silva.(Reprinted with permission of Booklist, copyright 2006, American Library Association.)
October 2, 2006
Forsyth writes as if preparing for the movie or television miniseries he knows will surely follow. His multiple focus in terms of characters and settings makes for thrilling cinema and engrossing reading, but in an audio version, a global smattering of Afghani, Arabic, Pakistani, British, Indonesian and other names can cause a bout of verbal vertigo. Wise listeners will replay the first CD or at least part of it. Once the characters, ships and locales are in place, the narrative is much easier to follow, despite Forsyth's love of minutiae. Powell plods through the novel with all the enthusiasm of a distracted Oxbridge tutor. His presentation is careful and eloquent but ultimately dull. He doesn't understand the nuances of most accents, including those of the Americans, all of whom have gruff voices. Powell does best with his performance of Colonel Mike Martin, the reluctant hero of this tale. The action, when it comes, is too little and too late to hold one's attention on audio. Powell's lethargic pace inflates this particular flaw in Forsyth's novel. It would be better to read the print version or wait for the film. Simultaneous release with the Putnam hardcover (Reviews, June 5).