Sacred Hearts

Starred review from June 1, 2009
Dunant (The Birth of Venus
) revisits 16th-century Italy, where the convents are filled with the daughters of noblemen who are unable or unwilling to pay a dowry to marry them off. The Santa Caterina convent’s newest novice, Serafina, is miserable, having been shunted off by her father to separate her from a forbidden romance. She also has a singing voice that will be the glory of the convent and—more importantly to some—a substantial bonus for the convent’s coffers. The convent’s apothecary, Suora Zuana, strikes up a friendship with Serafina, enlisting her as an assistant in the convent dispensary and herb garden, but despite Zuana’s attempts to help the girl adjust, Serafina remains focused on escaping. Serafina’s constant struggle and her faith (of a type different from that common to convents) challenge Zuana’s worldview and the political structure of Santa Caterina. A cast of complex characters breathe new life into the classic star-crossed lovers trope while affording readers a look at a facet of Renaissance life beyond the far more common viscounts and courtesans. Dunant’s an accomplished storyteller, and this is a rich and rewarding novel.

July 1, 2009
Another Renaissance novel from Dunant (In the Company of the Courtesan, 2006, etc.), this one focused on convent life.

In 16th-century Italy, convents were not home merely to women who felt called to Christ. They were also repositories for ugly, unconventional or otherwise unmarriageable daughters. Many of these discarded young women were from noble families, and the luxuries and extravagances of court life left them disinclined toward asceticism. Nuns who vowed to avoid unnecessary talk nevertheless managed to gossip. Women committed to poverty lined their rough habits with satin and fur. And the promise of eternal chastity was no safeguard against desire. Dunant does a thorough job of depicting these tensions, conflicts and paradoxes. She captures convent life and sets it in a larger cultural context, paying particular attention to the religious politics of the times. The novel boasts a bibliography of 56 titles, and the reader who is so inclined can make a game of guessing which historical or theological tidbit came from which source. Unfortunately, this is about the only form of entertainment on offer here. The book has none of the dash, energy and storytelling confidence that made Dunant's last novel so enjoyable. She seems overwhelmed or overawed by her material, and the narrative is not merely slow but oddly repetitive. Characters make the same discoveries again and again, and even the most dramatic events simply dissipate. The repetitive plot does have the effect of giving the reader a sense of a nun's existence, defined as it is by a never-deviating schedule of devotions. For the nun with a true vocation, this is no doubt a source of comfort and even elation, a release from mundane time and a tantalizing foretaste of eternity. But the average reader is likely to identify with those extraneous daughters interred against their will, struggling to stay awake and yearning for a little action.

A disappointing effort from a talented writer.

(COPYRIGHT (2009) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

Starred review from July 15, 2009
With her third novel set during the Italian Renaissance (after "The Birth of Venus" and "In the Company of the Courtesan"), Dunant continues to captivate. The year is 1570, and the convent of Santa Caterina, in the northern city of Ferrara, is considered the crown jewel of Italian nunneries. In a time when the cost of a daughter's dowry is staggering, many noblemen choose to marry surplus daughters off to the church, a far less expensive option. Not surprisingly, not all the women are willing participants. This is the story of the unlikely friendship forged between two womenSerafina, the angry, rebellious novice forced into convent life after an illicit affair comes to light, and Zuana, the calm, capable head of the dispensary, who cannot forget her painful assimilation 16 years previously. VERDICT Dunant brilliantly depicts the daily rhythms of convent life and offers an intriguing glimpse into 16th-century church politics. A rich tale filled with passion and the enduring power of faith, this novel is highly recommended for historical fiction readers.Makiia Lucier, Moscow, ID

Copyright 2009 Library Journal, LLC Used with permission.

June 1, 2009
The best-selling author of The Birth of Venus (2003) and In the Company of the Courtesan (2006) re-creates the rarified world of the sixteenth-century convent in her latest historical novel. Those expecting serenity and contemplation are in for an eye-opening surprise as the Benedictine convent of Santa Caterina, in Ferrara, Italy, is anything but a peaceful refuge. Sixteen-year-old Serafina, a talented songstress with a broken heart, literally enters the cloister kicking and screaming, the victim of her nobleman fathers callous intent to quash an unsuitable romance. Despite the fact that Serafina strikes up a strong friendship with Suora Zuanna, the gifted mistress of the dispensary, Serafina has one goal in mind: to escape the confines of a life imposed on her by her time, her circumstances, and her station. As Serafinas determination to take control of her own life takes root, her discontent has a domino effect on the other nuns. Although many novelists have successfully tackled the intricacies of court politics, intrigue, and romance, Dunant applies the same type of formula to the Renaissance convent with remarkable success. The author continues to chart the course of strong Renaissance women struggling against all odds to define their own destinies.(Reprinted with permission of Booklist, copyright 2009, American Library Association.)