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Seeing Sideways: a Memoir of Music and Motherhood

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1 of 1 copy available
1 of 1 copy available

Doony, Ryder, Wyatt, Bodhi. The names of Kristin Hersh's sons are the only ones included in her new memoir, Seeing Sideways. As the book unfolds and her sons' voices rise from its pages, it becomes clear why: these names tell the story of her life.

This story begins in 1990, when Hersh is the leader of the indie rock group Throwing Muses, touring steadily, and the mother of a young son, Doony. The chapters that follow reveal a woman and mother whose life and career grow and change with each of her sons: the story of a custody battle for Doony is told alongside that of Hersh's struggles with her record company and the resulting PTSD; the tale of breaking free from her record label stands in counterpoint to her recounting of her pregnancy with Ryder; a period of writer's block coincides with the development of Wyatt as an artist and the family's loss of their home; and finally, soon after Bodhi's arrival, Hersh and her boys face crises from which only strange angels can save them. Punctuated with her own song lyrics, Seeing Sideways is a memoir about a life strange enough to be fiction, but so raw and moving that it can only be real.

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    • Kirkus

      March 1, 2021
      The rock musician recalls episodes from her prolific and unconventional career--as a mom. Throwing Muses founder Hersh won accolades for her memoir Rat Girl (2010) and her tribute to her friend and colleague Vic Chesnutt, Don't Suck, Don't Die (2015). Here, the author follows up with stories of raising Doony, Ryder, Wyatt and Bodhi, the sons of her 25-year marriage to her former manager, Billy O'Connell. (They divorced in 2013; O'Connell appears in these pages as "the man.") In one of the first of many stream-of-consciousness anecdotes punctuated by lines from her songs, Hersh's infant son is taken away by the authorities. However, as with the many other crises the singer faces in the three-decade period covered by the text, everything turns out OK. House fire and flood, a horrifying accident on a mountain road, and a jellyfish attack appear on the more alarming extreme of the disaster continuum; on the lighter end, there's a show where the audience was so high the band was terrified and a few ridiculous experiences with music videos and late-night TV. Throughout the book, there are excerpts of an interview with a journalist who moved in with the family for a while; some of the most memorable lines occur in these snippets: "Everyone knows a Grammy is an award for a marketing department, but they don't always see that their opinions are too"; "The only true cultural shifts are small fish, small pond. After that, an honest movement is an organic snowballing effect: an idea spreads when its time has come....We aren't a culture, we're an economy. We mimic an impression of cultures we've heard of, but our system is a pickpocket talking at your face while it reaches behind you for your wallet." Dates are never mentioned, and major events are often wrapped in gauze or left out--but you just have to go with the flow. Inimitable, unsinkable, kooky, and full of love for her boys.

      COPYRIGHT(2021) Kirkus Reviews, ALL RIGHTS RESERVED.

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